From: Snapshot-Content-Location: http://fromthemachine.org/CURSOR.html Subject: LAYLOT - Date: Thu, 18 Feb 2021 21:10:28 -0000 MIME-Version: 1.0 Content-Type: multipart/related; type="text/html"; boundary="----MultipartBoundary--VAcCKi5W3EvXxOMx747HbeYqZdHFzPl7gs7dQ2UDpW----" ------MultipartBoundary--VAcCKi5W3EvXxOMx747HbeYqZdHFzPl7gs7dQ2UDpW---- Content-Type: text/html Content-ID: Content-Transfer-Encoding: quoted-printable Content-Location: http://fromthemachine.org/CURSOR.html =20 LAYLOT - =20 =20 =20 =20 =20 =20 =20 =20 =20 =20 =20 =20
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I a= m accepting charitable donations,. =
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I am a blinking, flashing square... = I am, I so am.
 
What am I?
 
3D""
3D""
 
cursor.
 
   
say it ain't so, <= i>I will not go...
turn the lights ou= t; carry me home
 
BARK.  I can't tell you how long we've been wandering in this desert; long enough= for Gates to have lost it's impact and meaning, long enough for the Greek = letters Chi and Rho to fail to be a shining light between the city of Cairo= and anci= ent beta and production versions of Windows XP.  Long enough to see the connections between U.S. military co= denames and computer companies religious themes as nothing more than a "= FAD" (f-art? of p= ossibly the least religious slices of our society) and s= till not to see the link between NORAD and Anno Domini.   = Row to production, to Kissimmee, St. McCl= oud;  we've got to move forward from this place of feigned or real= shock--of inability to discuss the obvious... for no reason other than it'= s so obvious we should have seen it.  Row to a place where yo= u care that this light was intentionally laid down so that you could find a= link between computing and religion that meant more than just a few letter= s; that meant that Karl Marx was all wrong and backwards about this thi= ng being the "opiate of the masses." 
 
Keep swimming until you see Huxley and XP and Kissimmee and Judas and Midas = and Gene Simmons and his band=  all intersect around the Hebrew word for fate, Kismet; and really see th= ese things are all linked together by what might be nothing more than me--<= em>nothing more than= Jesus Christ (and a clue).
 
 
Do you have to know that "da" is a very special ki= nd of "the" in Ada= mic code; and that I've been l= ooking for the missing "s" in "kismet" for quite some time?  Proba= bly, you probablty do.  Once you do you'll probably see = it in Leviticus, and if you know boys at all you'll probably eventually "ge= t" why it's a littl= e upsetting to hear God say "J, I see you da S."&= nbsp; The point is you will never really understand what the true meaning o= f religion is unless you grasp these concepts and this language; you'll never be able to read God's plan, and we'll ne= ver be able to get to the road to Heaven.  Without seeing "NES" in Minnesota and Tennessee an= d in the heart of the book of Genesis, you'll never get why Silicon is the Fifth Elemen= t--and how "AMD" really is a weapon against darkness.
 
 
This is "light" shining on you, and for yo= u; and sometimes even by you--but until we start reacting to = it; until it starts to open eyes and let us begin to understand just how da= rk this place is, there's no light here in this place--not you, and not the= words that I write to try and show you that there's an intentional message= being delivered thr= ough Windows Me and 9/14; in every word you read and write, every thoug= ht that you think; there's a message that you have been overlooking, and it= simply will not continue.  Brad Wright's Travelers began a season one= Episode with a preacher standing on a dock, at shore; connecting "the n= umber 40" in the story of Noah's Ark to the years wandering in the dese= rt of Exodus, all the way to the book of Matthew, where Jesus exited the wi= lderness (another word for desert) in just 40 days.  If "days and nigh= ts" and years weren't enough to connect 40 to the fourth dimension, to time= travel; if seeing it on Netflix in living color; and hearing me bark about= it over and over isn't enough to make it news--to make this clear proof of anachronism in every word<= /a>--in every language... if it isn't enough to make it news than I = don't think you exist, I think you are manekins.  This is light shining on you, to help you = see that something this obvious cannot remain hidden; something this import= ant cannot be "secret," until you have Biblical scholars talking about the = connection between the number 40 and time travel, you have none of any worth--your analysis of religion is as broken as your anal= ysis of censorship--and your society has crumbled, all because you fail to = speak your mind.
 
3D"" 
 
not to come off as "arrowgant," b= ut I am ... <= /span>the holy grail.
 
 <= /div>
see?=   no... "oven" c now?<= /i>
 
The help and a ssistance you get = from me, and from Travelers and from Back to the Future and Terminator; the= y are only worth something if you see the light, and understand that this p= lace is designed to help us see something hidden, and to use it to make a b= etter world.  In seconds you can see how and why this story of Exodus = ties to 9/11; and to terrorism; and to a significant amount of writing abou= t "pre-crime" and how that too ties to Phillip K. Dick and what appears to = be a world that believes at this point in time that it's OK for the Minorit= y not only to be drowned out in silence, to have the entire planet muzzled,= kept from speaking about a message from Creation, that is Creation; about = using this knowledge to make a better world.  That's what you have, a = message filled with light and wisdom about how to use "virtual reality" to = make a better place, to bring us all of Heaven on Earth; and instead of doi= ng anything at all; you've become a conspiracy of silence... a mass of fool= ishness standing in pews as all of the tools and protections we've made aga= inst 1984 and totalitarian Hell are compromised and reduced to rubble. = ;
 
lo.. ? you carmelized?
Mannikin, maiden,= maenad, man,
In the might of Pan
 
You have a world of fake Biblical= scholars ignoring literal golden treasure all around them; reporters doing= the same, and you are not far behind.  This is not a joke, this is th= e end of civilization if you cannot wake up and see how stupid you all l= ook.
 
 3D""=
 
3D""
 
DEN, TO SEE= THE MESSAGE=
 
You have a very clear message= that links names= like Bush and Stewart and Minhaj to ideas like revolutionizing democracy and the way we deal with barbaric so= cial problems like homelessness; one that uses religion, all religions; to = bring us to a place where we see a clear lit road of "minimums" and "maximu= ms" connecting works of religious art like the Jefferson Airplane and Stars= hip Enterprise, the Egyptian God Min and the the English one named "James C= lerk Maxwell;" and still having it pointed out you have nothing to say othe= r than "it looks crazy."  You look crazy, it looks like the way passed= the wall and passed hell ... all the way to "hey."  Den, to see a message connecting the= name "Denver" to the idea of loving people as much as dogs--to see that th= is too is woven light; a message to you, one that you will acknowledgeIt is not OK that 96,000 people want to petition = Virginia to protect dogs from virtual cold weather; and not a single one of= you can even publicly discuss the fact that there's a message about virtua= l cold weather--everywhere you look.  It's not OK.  This m= icrocosm of the message, one that puts "Denver" on the same fiery pedestal = that American stands on is the difference between success and failure, betw= een salvation and Hell--we cannot refuse to see it, and we cannot refuse to= see it is the pinnacle of social achievement in this place that stands as = a shining beacon--both of the good things we've done and of the problems we need to fix= .

If you don't "see" the message, understand that we are being fucked into= oblivion because you refuse to. Verily, see that "to see" is really ob= vious now ... just like the "den" in Roddenberry, and the "rod" in Rodney King and "IT"= in Stephen King--this horror show is "IT" she really it.  Is there a= ny why, NEY?
 

AND Y ET ANOTHER "MIN/MAX" ON THE SPAMAPS

  

re:ward
 
I am not going to sit here an= d let you ignore a message connecting the word "hearing" to the name of the county I was born in= and it's public defender: Broward and Help Me Howard hear me; hiding this "messag= e" behind "crazy" is the gate to Hell--ignoring religion and failing to see my life etched into the = map of our world is a path to absolutely nowhere.  These ar= e not outliers, this is the city of Sunrise, and proof of a hid= den siege on our society and our goodness that will end with the end of all "wardens= " and with them an end to terrorism and to rape and murder; an end to censorship, and if you can= 't see that this story is the beginning of Heaven you need to take another look in the mirro= r
 

I never claimed to be a great writer, only that the things I've s= een--and the things that I can prove will change the world.  The fact = that these observations have yet to make a significant impact in the visibl= e world tells me that it was never the place that I perceived--the land of = the free and the brave has been compromised in secret, and it's been that w= ay--looking now at the words I use, since the beginning.
 
I've haphazardly combined two= emails for you; and added a little bit of commentary; I can't continue to = do this without seeing a response--it appears that my attempts to be "loude= r" are resulting in nothing more than an eye sore; and I'm sore, I'm fighti= ng in person a mass of foolishness too large to ever exist, watching this i= nfluence affect far too many people that I see online and in person, and I = cannot believe how stupid, conniving, and self-destructive our world has be= come.  It's not OK that I am screaming in the dark; it's not OK= .  These messages are woven here for you to see and act on; they are g= uidance and help--and refusing to acknowledge that there's a message is the= end of it--the end of the message you are failing to see you are more than= a "part of."
 
 <= /div>
 <= /div>
 
The point and purpose of the = "cursor" writing to you is to help us walk through this maze of tort= ure in miraculous, record time--to exit the desert in a single lifetime--in= a few short years rather than what appears to be not just "forever" but mu= ltiple "forevers" layered upon each other in a story of time recursion that= fails to see how inhumane it is to return to this time over and over again= --to fail to see that exiting the maze and the desert comes from succeeding= and moving forward--rather than reliving this hellish story ... even "o= ne more time."  Your "cursor" is telling you that Twitter <= a href=3D"http://groups.google.com/a/reallyhim.com/forum/#!topic/saludas/X9= yCp6K24vI">and reddit are far from useless--they are the heart o= f a weapon that makes you believe "the people have a voice" and are the sin= gle places where you can see very clearly that you not only have no vo= ice--you have a weapon of glowing apathy to prove that.  What was = once "social news" is now a fiery message that you have no society, = and that what we once cherished here has been replaced with a steaming mass= of immovable telepathy and invisible strings that belong in the incinerator.  =
 
I'm not sure how many people = you think it takes to "care about free speech" to be "allowed" to speak--it= appears you've all voted on darkness and silence, and I am showing you it = takes only one person, only one vote, only one action to change the world.  <= br>
 
<= /div>
 <= /div>
Turning this world around, ch= anging the de facto ending of this story is the key to moving all of Creati= on--to re-igniting the fire of love and compassion that begins here, in thi= s place; because we have it still; and seems to end just as soon as we are = gone.  You cannot look the other way and wait for older powers to inte= rvene, you are the last, best hope that we have.   This message i= s not here to give me a pedestal to scream at you from; it is here to give = you back your freedom to speak, and to think; to help you see= that involvement in this "treasure hunt" is the cornerstone of truly building Heaven-= -and for that to happen you must act.
 
3D""
3D""
 
Once again I find myself with little ti= me to write what is probably a very important message; worse than that enca= sed in a prison marked by the words "I owe P" (if you don't know, IOP is wh= at outpatient rehab is called nowadays) and paralleled probably nowhere bet= ter than in Napoleon's Elba Island--this place where it certainly does appe= ar that I am unable to break the shackles of idiocy that have kept us from = openly discussing this story.  Do see "able" backwards, for a reason.&= nbsp; It's difficult to convey how oddly ominous it is sitting in this posi= tion, knowing I've all the tickets to the lottery and the world has unanimo= usly and secretly decided there will be no more "find Jesus drawings" -- ev= en though we've held them every generation for thousands of years.  I = have a significant amount to write about the Trinity Site; about connection= s between the movie and the theme of "The Day After Tomorrow" and the idea = that we certainly should see a sort of ultimatum from God etched into our h= istory and our story--one that in this specific instance you could see mark= ed by the idea of stopping the theme of madness associated with global ther= monuclear war, and flying bowel movements--but really just below that surfa= ce "ha nuke all humanity" is a demand that we move forward talking about th= e nature of reality, about the purpose of creation, and the prospect for a = future.  A future that depends on the truth, on open eyes, and on comp= assion for the human condition.  
 
 
A few days ago I followed up my "see= you" in the<= /span> word "site" in this place where I know very well that the Fishbowl d= etonations were a sort of (perhaps rational?) response to the stories of my wit= nesses; of John Nash and James Jesus Angleton as they disclosed first hand&= nbsp;the i= nfluence of a heavenly army, of the hosts of Heaven acting in this place to crea= te distension and divide over what appears to be nothing more than "red tie= s" on the&= nbsp;surface--but in light of day something much closer to the kind of false fla= g "divide and conquer" that we might link to 9/11 or more appropriately Jos= eph McCarthy's red scare.  These two men saw first hand the influence of an= invisible force in thehighest levels of our government--and still to this day we fai= l to recognize that in sum, what it means to us, and to the girl in the charred dress= .  That's a problem, and today as we see that same influence much more= prevalent than ever before--I am cautioning and suggesting that perhaps it= was not the high altitude nuclear "tests" that were the problem, but rather the failure t= o disclose to the=  people what is nothing short of obvious proof of an alien inva= sion.  That is what this is, it can be colored with time travel, and w= ith duality and "oneness of God" until the end of time--but there is no way to skirt = that we are all witnessing a hidden and secret force altering who we are an= d what we believe in a way that is anathemic to "the American Way."
 
What's infinitely more ... in your face= ... is that the secrecy surrounding the disclosure of this technology is l= iterally keeping it from being used effectively--something that is not just= a symptom of "secrecy" that we should note and understand is actually the = problem--but a huge part of the lesson surrounding the solution to this pro= blem.  In the light of day, these tools or weapons that are being used= to create silence and apathy will be used to help us, as they shoul= d be--and they are nothing short of infinitely better medicine for all ment= al illness, for blindness, for addiction, and for what appears to be the bigges= t problem in the Universe--not recognizing slavery for what it i= s.  In a free market, in an open forum--these things would be obvious,= and it would also be obvious to the entire world that the inner workings o= f our brains have very much been reverse engineered, and that these tools a= re being used to cause harm--rather than help--the entire focus of the Plag= ues of Exodus.  It will stop school shootings, it will stop terrorism;= and all it takes is an open discussion of the truth--that these thi= ngs are not only easy to do--they've all been done before.  
 <= /div>
 
 
It's clear that the government was aware in th= ose days of this hidden influence; and I'd like to think that if they were = more honest and open, we would never have been able to reach a point of inf= iltration where every newspaper and every television station and every coll= ege now in unison is in the very same position--aware of the influence and failing to= see that openly discussing it is really the only way forward.
 
i'm gonna hate you
until the stars fall fr= om the sky
when the heavens let it rain<= /div>
 
I noted a connection between the hallowed Pa= ssover prayer of = The Four Questions, "why is this night different from all other= nights?" and the=  Shehekeyanu; a prayer of thanks to the King of the Universe for enabling= us to reach this occasion; specifically noting a link between the word "chol" w= hich means dessert, and "kol" which is literally everything; and I hope it'= s clear that this night is the one that brings us out of <= span class=3D"gmail-m_-5848535809569684157gmail-il">the wildern= ess, our of the place where we are in the dark.  The message I am trying to bring to = us is one that focuses less on stars in the sky, and more on stars in our sea--a= sort of introspection that leads from here to there in truth; but really s= hows how lacking our focus is on each other here in this place where nobody= really seems to care enough about who we are, our goodness, and why we've = been created with such compassion and fire... at least, that's how it looks= to me.  I'd like to sing "we'll be counting stars" but until you see = yourselves shining in those words we won't.
 
Kn= ockOut S= H OR U <= span style=3D"font-family: "verdana" , sans-serif;">IT   L A W
 
It isn't some random asshatte= ry that's made me call the planet "Ham" as a complement and completion of t= he pair of names that are both sons of Noah and "the Holy Name" in Hebrew; = the concept of Ham carries through to a metaphorical reading of the practic= e of keeping Kosher and the meaning "burnt" connects to the idea of "the gi= rl in the red dress" of the Matrix and really does describe exactly what we= look like here, something being worn by invading demons; deeper in the fir= e than the visualization of "red" implies.  The meaning I take, obviou= s to me, is that "the message" that is this place isn't to be eaten--and wh= ile you may not really get it, or really see what it is--this conspiracy of= silence that may be to "hide me" if you are stupider than ash, or to delay= changing the world in response to the truth (if you are... ash to be)= is hiding from the world information and an obvious disclosure that all= future life depends on the productive dissemination of; it is literally the E= LE; and it is "in lin= e" with my original definition of Satan--something that threatened the cont= inuation of all life.  I've pointed out how that is obvious, how the g= overnment hiding this disclosure from the people for decades has put everyo= ne in harms way, and in the dark--and while that might not be fair, you are= today proving that "site" of Trinity mean= s "see you, too."  
 
"an obvious disclosure that all future life depends on=  
th= e productive dissemination of"
 
3D""
 
I can't even really tell if y= ou are there anymore--I think you are, I really do; and I think I can see t= hat surfacing more and more as I kind-of figure out how to navigate this ma= ze of silence.  It's probably not what you want to hear, but seeing ne= w responses to old information because it's presented "more simply" or "fla= shier;" maybe just more straightforward--is showing me that you are still a= round, something I was... I am still increasingly scared I am losing. = You probably don't want to hear that either, but it's what your lack of ac= tion--what this unanimous lack of response says to me--that something that = has overcome our individuality, and our ability to act in our own self inte= rest.  It's hard to say what you realize or understand in this darknes= s, but I am well aware that I've attracted something "above you," to me it = appears to be your souls--and they probably think faster and have access to= more information than you possibly could.  I'm not really upset that = I'm seeing them, nor am I really surprised--but I am both upset and surpris= ed that they appear to be keeping you from me; to have taken this opportuni= ty to have a say right out of your hands.  I don't think they realize = that destroys the opportunity, and gives me nothing to care about--I think = in all honesty they think I'm doing this for them.
 
It appears that on some level= they have become you, at least I think that's what they think--I ca= n speculate as to why, but with the set of information that I have availabl= e to me silly words like "have a good one" really have no= useful meaning.  They might think they have no choice, or be fighting= to survive in a place where trying to "become you" is the farthest possibl= e way to achieve that--they might be trying to get in on the party one more= time--sort of crashing the wedding by replacing the bride; another seeming= ly counterproductive plan.   Repetition ad naseum, and seein= g the light of Nintendo in "clones" might help explain a little bit of a pr= oblem that my story has only touched on an understanding of--and as I look = around I shudder a bit at the visible manifestation of layers of possession= that appear to start in an event that might be just like this one--this "a= re I us" at the dawn of the Age of Aquarius might be the thing that has sto= pped it from ever really happening.  Messianic myth specifically says = that I will fail at this task if I don't "turn the hearts of the children t= owards the parents" and visa versa--I know that means us, that we are the c= hildren here; and while I can see telling them that putting us through the = same tribulation and mistakes that caused this problem is just making every= thing worse--I'm not sure how to get you to be thankful that they've helped= us avoid catastrophe, when I don't think they've done that, yet.
 
I can tell you for sure that = I think the point of all of this is obviously to help us end possession; I = think that's clear in Bittersweet Symphony, and really in the "in sum" idea= of the process of Creation coming to a sort of close--to the end of a show= and the beginning of "actual life."  I realize it's probably less of = a show to them, on some level what I see as a clear script might not be so = clear to time travelers; who it appears happen to have a special connection= to many of us here--something I still don't really understand, and maybe I= won't.  I have an old story about "everyone having access to future k= nowledge" negating its effect, and it's benefit--and that might actually be= what we are looking at happening right now, a process of awakening or unde= rstanding the fact that it just might take all the fun out of life.<= /div>
 
In my "know-it-all" state, so= mething that my religion likens to the right answer man; I think I'v= e given them the best ideas I have about how they really can not only help = us avoid disaster but also be in just the right place and just the right ti= me to do the thing that I really need them to do--that I think you need the= m to do--and that's to offer their wisdom and advice with more than words, = I want them to make Atlantis rise; and to hold the door.  =
 
3D""
 
Still in thunderdome, fighting not against this li= ght being stolen, not against stolen thunder--but against a secret and obvi= ous conspiracy to hold it down, to look the other way; and to pretend that = those actions, collectively are not a conspiracy to cause harm to the many.=    I often use the words "Bittersweet Symphony" to describe the a= ct of disclosing the word sing in "disclosing" and above you can see clearl= y that I believe the idea of "carrolling angels" visible unable and unwilli= ng to speak their minds and the truth about the songs that they sing is a s= ignificant problem for them, and for our society.  I think it's obviou= s that the idea of hiding messages and meaning in songs--woven meaning over= thousands of years and many disparate songs has a two-fold purpose; to hel= p the "people come together" both in seeing that we are dealing with a powe= r that far stronger and far older than you and I; one that has etched "sick= " into the word music by combining the sight of Silicon and the hand of Cla= rk Kent--to tell you I believe it's clear that his message is that we neede= d more help believing, more help changing our minds about what "normal" mea= ns and how a simple change in truth--in what the "rest state" of our natura= l environment is takes something that was "just the way things are" and tur= ns it into something that is wholly unacceptable, that should be fought aga= inst vehemently with all our strength and all our being until it is changed= .
 
On the other side of the coin these son= gs provide the intelligent, those that can separate themselves from the twi= light zone and think about exactly what is going on in the storm of dust th= at swirls not over our heads but in our minds; incontrovertible proof that = there is in fact a scient= ifically provable hidden influence, and that it is being used en masse = to hide the true nature of our reality--flying in the face of this very cle= ar messages etched in Minne= sota, and the word somnolence, and in Tennessee and a key that ties everything from whi= sky to music together in a religious presentation that shows us very clearl= y (with any thought at all) that the creator of this world intends for us t= o transition our civilization to one that uses the benefits of virtual real= ity for the good of all--and that he has not only designed a message but pr= ovided understanding of computing technology and video games.  This me= ssage is clearly shown by similar hidden connections between the SEGA Genesis, and the Nintendo Entert= ainment System; the SON Y PlayStation, and the Microsoft Xbox--connecti= ons between the names Bill Gates and Michael Dell and Jeff Bezos and Larry = Ellison and an oracle that you are ignoring telling you the foundation of h= eaven comes from seeing the link between Se= agate and Watergate and failing to do so means that there is no Heaven,= there is no place of freedom, and no place that cares at all for what is "= the human condition."  Not the past timelines or past Heavens that hav= e participated in making this world of change; and not the people here, who= are refusing to acknowledge such a powerful and impact message for what is= no other reason than refusing to see that they too must change.
 
 
Trying to "make the best with what we h= ave" or play this game for the benefit of good--while at the same time igno= ring this message and breaking logical thinking, breaking the truth at the = same time is an evil act; you cannot pretend to care to heal the sic= k or feed the hungry if you are aware of this message, if you are aware of = the truth and hiding it.  There is no reason, it is nothing but a conspiracy of evil.  I= t is a sad state where this conspiracy, using this very powerful technology= has touched on nearly this same group of "the all" that I am seeking to pr= otect--through subterfuge and twisting of logic, it seems that nearly anyone can be made to ignore AIDS= of nomenclature and basic human goodness, to fail to see that they are ret= arded, and they are the reason down syndrome has it's name, it really d= oesn't matter if the tide turns because of a few outspoken heroes or if the= whole mass of controlled sea turns together--I can't see inside this wall = a reason enough for it to continue even today, I can't see how or why so ma= ny are being made so ignorant so easily--though I do understand how powerfu= l this weapon is.  Regardless of how, we must all break this wall of s= ilence; and we really need to do it "today" in both the Biblical sense of t= he word and the real sense, you are looking at "no tomorrow" if we cannot f= athom how insane it is for our individual voices not to be drowned out in n= oise like Brave New World or censored and cut from the mass media like in 1= 984--but here in this place your voice has been drowned out at it's source,= in your mind; and 
 
not seeing that "thing" is the end of you... well, it's the end of us al= l.
 
There is no safety in numbers= , there is no "group mentality" that will survive or benefit anyone or ever= yone in this place where this particular decision is responsible for n= ot only this existential risk; but also for cr= eating, perpetuating, and worsening a breakdown of logical thinking and rat= ional behavior that has shaken the foundation of "my reality"--and brought = me to a place where my personal opinion of the state of our civilization al= so finds itself into the hallowed explanatory key of the Matrix.  Toda= y we are far below the "safe point" of the V, and far further than 6 feet i= nto the elastic trampoline like street of the "Jump program."  Fo= r those curious, today this is my definition of the letter "Y" visually dep= icted by us "bouncing out of Hell" just about the same time you decide that= it's "OK" for me and this message to exist, and you say hey.  There = my connection to Nirvana's "Heart Shaped Box" and the reason he says "h= ey" and "way" over and over again to hammer into your heads that the wall i= s the cause of Hell; and this linguistic (and artistic!) map is re a ll y the = way out.
 
3D""<= /span>

silence is Hell.
 
Jump ship, t= urn around, you are well passed the point of needing to do something pro-ac= tive about bettering our world and our understanding of the truth--of this = specific truth--the days of "absolution of all" have now passed fo= rever.  There is a sickness here; and we wil= l root out it's cause and we will stop it from rearing it's head ever, ever= again.
 
I've commented before that Ko= shruit Law had an early explanation given to me--also sort of speaking thro= ugh metaphor on the worth and sacredness of our minds; it was specifically = pointed out that pigs are one of the most intelligent animals on the planet= , and because of that they were not allowed to be eaten.  It certainly= connects to the ideas of our burnt dress cum species; and also to the sanc= tity of a message that we are a living part of--one that is designed to ens= ure that the development and evolution of civilization does not retrograde = with respect to verboten ideas like "slavery" and "torture" for any reason,= but specifically as a result of new technologies and their potential impac= t and influence on the development of our minds and society.  I see cl= early that we are in a place that would be absolutely abhorred by our civil= ization and our time if we really understood exactly what was going on--I'v= e had to point out numerous times, and now again, that there is not an anim= al--but you--on this planet that tortures; and it should be a fiery beacon = of warning that we have a message so sickly etched into our world as "d= own syndrome" to remind me and you just how ridiculously unintelligent= , compassionate, and inhumane far too many o= f us are; or would be without guidance and "supervision."<= /div>
 
I look out at a world that is= being tortured mentally, without doubt; I am experiencing it myself, and p= robably far more intensely than most.  I see that this silence and thi= s conspiracy of lies is a primary cause of not only my own struggles, but a= lso literally in nothing short that the continuation of unnecessary pa= in itself.  This silence is the cause of the continuation of blindness= , and of AIDS, and of cancer, and all for what can be no reason better than= wanting to continue it, than wanting to prevent the world from changing in= what is nothing less than a response to the original lie.  What you c= onsider to be "status quo" is unacceptable, the basic foundation of this de= cision; this falsehood that we are in reality, is literally the beginning o= f Hell.  On top of that we have now seen this sick attempt to hide ope= n and public discussion of this truth wreak havok on free speech, on the ma= chinations of government at all levels, and all of it now apparently over n= othing more than the belief that continuing to "stick together" will someho= w absolve everyone of not doing anything.
 
3D""
 
I should probably try not bei= ng so abrasive, or to suggest that if I had thought that such a large group= could be convinced to act together to do something so horrible that I woul= dn't have given you any reason to blame "dick" for the problem (when it's actual= ly the solution)--but you really have to see that too, blaming Phillip = K. Dick or John Hancock for this particular problem is just another sympto= m of mass stupidity looking for a reason to not only prolong this horri= ble state, but now add on top that you apparently would like to either eras= e our history (and through that act literally yourselves, your souls, also)= or to force logical blindness not only on yourselves, but on the future fo= r what appears to be an indefinite period of time.   Truth be tol= d I would not have built this boiling crucible of inactivity, I would not h= ave created this "mass of solidarity" as it appears he has done, uniting yo= u in opposition of everything you want and hold dear under the guise of "kissing <= span style=3D"font-family:comic sans ms,cursive;">me goodbye" ... I wouldn't have slowly delivered this message, I would = have smacked you as hard as I could, as quickly as I could--now that I've s= een what this process has created.  I didn't know how clear this proof= was, I didn't know how stupid you were; but I can tell you now that we are= here, if you do not more forward the Jump program is about to crash= .
 
3D""
 
 <= /div>
 <= /div>
 <= /div>
 <= /div>
just when you thought the day was lost...
we go and save, the best... for last
 <= /div>
 <= /div>
"the tionnin= g of ha'adam"
 
Adam Marshall Dobri= n
preferred pronouns: it, they, why and sometimes "that"
 
 <= /div>
H E L L&= nbsp; O
I stan= d here today looking at a world remembering an atrocity, one that never sho= uld have been allowed to happen; but continued for years under the cover of= darkness because of censorship, because of a mentality of "it's just the w= ay things are" and "it doesn't affect me, so it's not my problem" because d= eceit and denial went unchecked.  Yesterday I asked several thousand people to "vote" on reddit to bring= a message to light that brings a truth to the world--that there is far gre= ater deceit and far greater atrocity happening today, and every day we live= in "pretend reality" and I think it should be obvious to you all that in s= um you have no idea what the words "we will never forget" actually mean.
 =
This i= s a "vote" not to hide a message from the Creator of our Earth telling us <= a href=3D"http://fromthemachine.org/RIGELA.html">that AIDS and cancer and b= lindness are things that "science has already solved" and standing betw= een the entire world and the cure is nothing more than the book burning and= Reichstag fire that characterized the Nazi  occupation--nothing more = than the secrecy and the = dissension caused by the SS; it is a vote not to hide the true nature o= f reality, and the true purpose of religion--a vote to "not forget" a hidde= n history that is encoded here to show us that something very wrong has bee= n allowed to happen and continue for years because of nothing more than lac= k of public awareness.
 =
 =
You can still vote today; and every day = you walk on this Holy Ground, you can vote to present to the world a truth = that I see--that these problems have been intentionally made worse, and tha= t this timeline has been "rerun" over and over; see the days of Creation...= something that I abhor, an inhuman lack of regard for who we are, for huma= nity in sum; it is an atrocity that appears to happen... not quite in secre= t... as you are all aware of it--over and over and over again because you r= efuse to connect the idea of "we will never forget" to "we will not hide so= mething obvious and horrible from the world."  I'm trying to say that<= b> you've learned nothing from the lessons of history, and it takes onl= y a moment to help ensure that the entire world knows that we have the abil= ity to stop this repetition, to ensure that Hell never exists on Earth or i= n all of Creation.  What is happening before, what you see and don't u= nderstand is that each and every one of you is risking losing this disclosure, risking it being= buried behind a wall of more than censorship, but of actual technological slavery, by not helping = to deliver this provable message--you are helping to ensure that stupidity = will reign supreme not just on Earth but in Heaven... for what might be = forever.  See the light, by not acting you are hiding history--you= are burning books and every single newspaper--not just the Reichstag, = you are hiding a message so obvious it can't be burnt--but hiding it i= s burning you--us all.
 
HERE'S ANOTHER ONE, ANOTHER= CHANCE
TO CHANGE THE FUTURE
 =
I stan= d alone screaming at a very large crowd every single day to ensure that the= world sees that Jesus Christ believes that simulating pain, and blindness,= and these diseases is an atrocity on par with the Holocaust; that today th= e entire world has been quieted into obsolescence by a hidden force just li= ke the SS; and probably more related to it than you will know until you begin investigating this hid= den influence that is trying to incinerate this message and this truth.= .. literally.  
 =
I don'= t know what's wrong with this place; but I know it's easy to see that somet= hing is very wrong, and it's easy to understand that the truth will fix thi= s problem as it fixes many others.  I know it's simple to see a messag= e from God telling us these things can and will be fixed--and I see it take= s less than "faith" to believe that it will be done; less than faith, and j= ust a little bit more than silent prayers.  
 <= /div>
 <= /div>
First it came for those wi= th cancer, and I did not speak out=E2=80=94
Because I did not have can= cer.
 
Then it came for those wit= h AIDS, and I did not speak out=E2=80=94
Because I did not have AID= S.
 
Then it came for the Blind= , and I did not speak out=E2=80=94
Because I was not blind.
= Then death came for me=E2=80=94and there was no one left to speak for me= .
  3D""
 
I know that we will solve these problem= s, that we will change the world--and that we will all see Heaven on Earth;= I know it's been done before, and I know the difference here is that this = will never be done again.  I know that's because we "do it right" and = we have more truth and more ammunition and we will have more help than any = have ever had before.  It's our destiny, it's fate; it's been "foresee= n" and I know that once we do it the whole world will stare back at these y= ears and this tribulation and wonder aloud how it went for so long, so many= times; we will wonder why we didn't do it sooner.
 
I know that the future, that the genera= tions that come after us will thank us, they will see their history and be = grateful that we were strong enough to change everything so they never had = to experience the pain and the suffering that we have gone through.  I= know this is the beginning of something great, of a society that lasts for= ever and ever--that this is the kindling of the Eternal Flame... something = that starts with your action.
God called the expanse "heaven"= because it was made from fire and water. There was evening and there was m= orning, a second day. 
 
 
In our map of "what to do" in this plac= e where it's encoded in our history, see that the Eternal Flame starts with= the torches of Jericho, and with the fire of the Holy Sepulcher; and see t= hat you have that fire in your hands today, and all it takes change the wor= ld is sharing.  It's what that word means to me, "sha= re" is a combination of "fire" and the "re"-ason for C= reation.
The Hebrew word shamayim is constructed of two parts: = sham (=D7=A9=D6= =B8=D7=81=D7=9E=D6=B7) derived from Akkadian samu = ;meaning "sky" or "lofty", and Hebrew mayim&= nbsp;(=D7=9E=D6=B7=D7=99=D6=B4=D7=9D) meaning "wat= er". In Genesis 1:6 Elohim separated the "water from = the water". The area above the earth was filled by sky-water (sham-mayim) and the earth below was covered by sea-water (yam-mayim). The Hebrew word for the sun is shemesh. It follows the same constructi= on, where "shem" or "sham" (Akkadian: samu) = means "sky" and esh (Akkadian: ish) mean= s "fire", i.e. "sky-fire".

It's a pr= etty quick sign up, no e-mail verification required; it takes only a few se= conds.  I really think it's time; this is a pretty easy way to "break = the good news," I hope you'll help.  It's a time sensitive thing, the = way their algorithm works the faster people "upvote" the better the chances= of making the front page.

Click lin= k, sign up, up vote; be the cure for cancer.  It really is that easy.&= nbsp; Also, I will stop spamming you. :)  If you happen to get some fr= iends to help, you know, that would be great.

Thanks,&n= bsp;

Adam

I= RE:PEAT: P TO ENTERPRISE, TAKE ACTION, ACT= UALLY DO SOMETHING TO MAKE THE WORLD A BETTER PLACE.  THIS IS NOT A TE= ST.

3D""
 
ROAR.  It's <= em>har= d--in this world where linear time is provably inaccurate--to t= ell if the origin of the mythology of "rowing" came first from the name&nbs= p;Horowitz, which links me to this watery chaos as early as first = grade and perhaps pivotally in the earliest days of rowing up this= stream (where it looks as if it must have been July 4th) all= alone--at least, that's still how it feels today... Before I began to spea= k to the world; in 2011 as I sat researching the links between Operation Pa= perclip and Russian psychotronics and John Norseen I used the phrase "splas= hing around" as a metaphor for writing my story down--from the air and in t= he most ironic of tones "oh no Adam, don't splash around..." and then thous= ands of years earlier, in a book that I see named after my initials; but th= e world will most readily connect to the hallowed phrase "I AM" of Exodus 3= :14... followed by the Egyptian word for "underworld" one I've connected to= the chip maker on more than one occasion.  An except from the book of= the Underworld callled the AMDuat; to me, like Judas: "Adam this = is where you are" God, and all of history and all of mythology an= d all of my being... says, to me.
 
I don't understand; what this informati= on, what I read in these myths is that "this" happens over and over again; = my life sucks--and I see a torture chamber all around me--a world designed = to be changed as quickly as possible, with a message to help us do that, on= e that is being ignored completely.  Those things alone are enough for= me to throw the Hammer<= /a> of Thor into the largest gear that I can find--and I'm doing that, I'm throwing it= into the hands of "everyone."  I need your help, I'm looking at a pla= ce clouded in such a thick mist of darkness that you don't even seem to understand that Al Jazeera b= eing shut down, literally over this story, in secret is a sign of an ex= tra-governmental conspiracy to prolong Hell that is literally the most disg= usting thing I can imagine. 
 
3D""
 
I see a world that appears to think "it= knows what it's doing" and all you are doing is nothing; you are st= an  Tding around walking through Hell, doing nothing to change it--and= ignoring a message telling you that's the problem; it might be you = in the "ether" now, or the next time this machine decides it's time to cycl= e night and day; something we should be actively working to stop, everyone = here, everyone born here--should be shouting at the top of their lungs that= it's a sickness to re-start or re-run this timeline, to force us to live a= gain without knowing it ... perhaps over and over ... for the benefit of so= mething that we simply are apparently here in this place literally being fo= rced to keep out of our hands.  I don't understand what you think is h= appening, but if you don't work to deliver to the entire world an understan= ding that we are being forced silent over the words "this world is virtual = reality" and being forced not to see or not to discuss a message that ties = literally every single word of every language to a message encoded in music= , in rock and roll, in movies--all to give us guidance--you are standing in= a grave ignoring a ladder and more than a "sign" a person screaming at you= to do something, to take a step forward.
 
I don't understand how you can believe = that ignoring me, that ignoring this entire message is "OK."  What you= are seeing "not happen" is "not OK."  This is news, it belongs on the= news; I know you see that, I don't understand how so many people can "get = the message" and still I am standing here e-mailing a wall of silence that = is designed to bury me and you--whether that's your intent, or not.<= /div>
 
... from Wikipedia

Duat (pronounced= "do-aht") (also Tuat and Tuaut or Akert, Amenthes, Amenti, or Neter-khertet) = was the realm of the deadin ancient Egyptian mythology. The deity Osiris was belie= ved to be the lord of the underworld since he personified rebirth and life = after death, being the first mummy as depicted in the Ra traveled from west to east each night, an= d it was where he battled Apep, who embodied the primordial ch= aos which the sun had to defeat in order to rise each morning and bring ord= er back to the earth. It was also the place where people's souls went after= death for judgement, though that was not the full extent of the afterlife.= [1] Burial chambers formed touching= -points between the mundane world and the Duat, and the akh, = the effectiveness of the dead, could use tombs to travel back and forth fro= m the Duat.[2]
 
Th= e Amduat[pronunciation?= ] (literally "That Which Is In the Afterwor= ld", also translated as "Text of the Hidden Chamber Which is in the Underwo= rld" and "Book of What is in the Underworld")[1]=  is an important Ancient Egyptian funerary text of the New Kingdo= m. Like many funerary texts, it was found written on the inside of the = pharaoh's tomb for reference. Unlike other funerary texts, however, it was = reserved only for pharaohs (until the 21st Dynasty almost exclusively) or very favo= red nobility.[2]<= /span>
 
It= tells the story of Ra, the Egyptian sun god who travels through t= he underworld, from the time when the sun sets in the west and rises again = in the east. It is said that the dead Pharaoh is taking this same journey, = ultimately to become one with Ra and live forever.

The hours[edit]

In= hour 1 the sun god enters the western horizon (S= okar, the underworld hawk deity, where he encounters dark zig zag pathw= ays which he has to negotiate, being dragged on a snake-boat. In hour 5 he = discovers the tomb of Osiris which is an enclosure be= neath which is hidden a lake of fire, the tomb is covered by a pyramid like= mound (identified with the goddess Isis) and on top of which&= nbsp;Isis and Nephthys have alighte= d in the form of two kites (birds of prey).
 
In= the sixth hour the most significant event in the underworld occurs. The&nb= sp;= ba (or soul) of Ra unites with his own body, or alte= rnatively with the ba of Osiris within the circle formed by the = mehen serpent. This event is the point at which the sun begins its= regeneration; it is a moment of great significance, but also danger, as be= yond it in hour 7 the adversary Apep (Apophis) lies in wa= it and has to be subdued by the magic of Isis, and the strength of Se= t assisted by Serqet. Once this has been done the sun god opens the do= ors of the tomb in hour 8 and then leaves the sandy island of Sokar by rowing vigorously back into the waters in hour 9. In ho= ur 10 the regeneration process continues through immersion in the waters un= til in hour 11 the god's eyes (a symbol for his health and well being) are = fully regenerated. In hour 12 he enters the eastern horizon ready to rise a= gain as the new day's sun.
 
Ea= ch night through the Duat the sun god Ra travelled, signifying revivificati= on as the main goal of the dead. Ra travelled under the world= upon his Atet barge from west to east, and was transform= ed from its aged Atum form into Khepri,= the new dawning sun. The dead king, worshiped as a god, was also central t= o the mythology surrounding the concept of Duat, often depicted as being on= e with Ra.[3] Along with the sun go= d the dead king had to travel through the Kingdom of Osiris, the Duat, usin= g the special knowledge he was supposed to possess, which was recorded in t= he Coffin Texts, that served as a gui= de to the hereafter not just for the king but for all deceased. According t= o the Amduat, the underworld consists of twelve r= egions signifying the twelve hours of the sun god's journey through it, bat= tling Apep in order to bring order back to the earth in the morning; as his= rays illuminated the Duat throughout the journey, they revived the dead wh= o occupied the underworld and let them enjoy life after death in that hour = of the night when they were in the presence of the sun god, after which the= y went back to their sleep waiting for the god's return the following night= .[4]
 
Wh= at is known of the Duat derives principally from funerar= y texts such as the Book of Gates, = the Book of Caverns, the <= em>Coffin Texts, the Amduat, and the Book of the Dead<= /em>. Each of these documents fulfilled a different purpose and give a diff= erent conception of the Duat, and different texts could be in= consistent with one another. Surviving texts differ in age and origin, and = there likely was never a single uniform conception of the Duat, as is the case of many theological concepts in ancient Egypt.[6] The geography of Duat = is similar in outline to the world the Egyptians knew. There are realistic = features like rivers, islands, fields, lakes, mounds and caverns, however, = there were also fantastic lakes of fire, walls of iron and trees of turquoi= se. In the Book of Two Ways, one of the Coffin Texts, there is even a map-like image of the <= em>Duat.[7] The Book of the Dead and Coffin Texts were intended to guide people who h= ad recently died through the Duat's dangerous landscape and t= o a life as an akh=  or an effective spirit in the netherworld.
 
Earlier today... it's January 26, 2= 018 A.D. for me at least, I wrote and sent another email to what = is comparably a very large group of people; to you--I am writing to you and= about a hundred thousand additional seemingly (very?) interested = readers of which I generally see about 10% open; and of those possibly anot= her few thousand people who are not "on my list." and probably for the firs= t time in that message I've begun discussing the characteristics of the hid= den world I see interacting directly with me and with us--I called them "yo= ur souls" but as I read the words of our "truth table like" Wikipedia pages= it seems pertinent to mention that I believe I've received direct contact = from not only the souls or the spirits of the living but of generations pas= t.  It appears that in the place and time we are in right this very mo= ment ... they live, awake and able to communicate with us.
 
That's interesting because I can barely= communicate with you; and even though I keep trying to explain that we mig= ht have a "time constraint" on reacting to this message and this event--I a= m still alone, without help, literally nobody uttering a single word to ass= ist me in understsanding what you are experiencing, and how it is that such= important and interesting information is coming to our world and "splashin= g" against the Wall of Jericho, humorously maybe "Adam in the river of soul= s."
 
I think religion, and the recursive map= of  the creation of Heaven I see paralleled in the crusades and the r= epeating building of the temples our history ... paralleled here in Egypt i= n this very reminiscent description of nights and days that link to the ear= liest narratives of Creation in Genesis ... I see I am the focus of this st= ory that describes what it is we are creating and how we get there; and as = I try my hardest to describe how Joseph's dream ties to the words "make Atl= antis rise" and how Jacob's Ladder ties to Jim Morrison's band and music; I= still write to the Wall standing between Earth and Heaven and nothing from= "Wish you were here" has broken the silence that is the "Plague o= f Darkness" preventing the rising sun and the morning; preventing the end o= f this hellish night. where still we stand seemingly unaware of the truth t= hat word, that night means "in simulated reality and not know= ing it" or not caring or, not reacting; and I wonder... well my question is= "Why are you ignoring me?"
 
 
"Our oar," the roar of the lion appears= to clearly be these words, and though I see--or believe that the wo= rds I am writing are impactful and important--I don't see the waves turning= into birds returning to Noah's ark to signify shore--not from this world, = anyway, not from you.  Here I see dead birds landing on my driveway; a= s I cry inwardly to myself--to my soul--about the wall I see in my world, a= wall clearly described here in this place in movies like Children of the C= orn and Invasion of the Body Snatchers... that's what you are showing me, n= ot words, zombies.  Why are you ignoring me?
 
 
3D""
3D""
3D""=
 
S O   Y O U   T H I N K   Y O U  =  C A N   T E L L ?
H E A V E N FROM HELL=E2=80=8B

3D"" 
3D""
 
HIDING FAKE BLUE SKIES AL= L AROUND ME ... KEEPING US FROM
3D""<= /a>
 
 
 
 
 
 
 
3D""=E1=90=A7
3D""=E1=90=A7
3D""=E1=90=A7
3D""=E1=90=A7
3D""=E1=90=A7
=20 =20 =20 =20
=20 =20 =20
3D""
Unless otherwise indicated, this work was written between the Christmas and= Easter seasons of 2017 and 2020(A). The content of this page is released = to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org.

That's a "." not "dotty" ... it's to stop SPAMmers. :/

This document is "living" and I don't just mean in the Jeffersonian sense. = It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense [and li= terally just as close to the Depp/Caster/Paglen (and honorably PK= ] 'D-hath Transundancesense of the ... new meaning; as it is no= w published on Rinkeby, in "living contract" form. It is subject to change= ; without notice anywhere but here--and there--in the original spirit of th= e GPL 2.0. We are "one step closer to God" ... and do see that in that I m= ean ... it is a very real fusion of this document and the "spirit of my lif= e" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars= and my Venutian Hotel ... and *my fusion* of Guy-A and GAIA; and the Spiri= t of the Earth .. and of course the God given and signed liberties in the C= onstitution of the United States of America. It is by and through my hand = that this document and our X Commandments link to the Bill or Rights, and t= his story about an Exodus from slavery that literally begins here, in the p= ost-apocalyptic American hartland. Written ... this day ... April 14, 2020= (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v= TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if = added to the living "doc/app"--see is the DAO, the way--will initi8 the spe= cial secret "hidden level" .. we've all been looking for.=20

Nor do just mean this website or the totality of my written works; = nor do I only mean ... this particular derivation of the GPL 2.0+ modificat= ions I continually source ... must be "from this website." I also mean *th= e thing* that is built from ... bits and piece of blocks of sand-toys; from= Ethereum and from Rust and from our hands and eyes working together ... fr= om this place, this cornerstone of the message that is ... written from bri= ck and mortar words and events and people that have come before this poit o= f the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is = it four, too layne.

This work is not to be redistributed according to the GPL unless al= l linked media on Youtube and related sites are intact--and historical refe= rences to the actual documented history of the art pieces (as I experience/= d them) are also available for linking. Wikipedia references must be avail= able for viewing, as well as the exact version of those pages at the time t= hese pieces were written. All references to the Holy Bible must be "linked= " (as they are or via ... impromptu in-transit re-linking) to the exact ver= ses and versions of the Bible that I reference. These requirements, as wel= l as the caveat and informational re-introduction to God's DAO above ... sh= ould be seen as material modifications to the original GPL2.0 that are retr= oactively applied to all works distributed under license via this site and = all previous e-mails and sites. /s/ wso

If you wanna talk to me get me = on facebook, with PGP via Fl= owCrypt or adam at from the machine dotty org
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=3D4lZw
-----END PGP PUBLIC KEY BLOCK-----

Please see GPG keys on PGP.MIT.E=
DU; fingerprints:=20
sec rsa3072/A18F778E19FC3248 2020-04-03 [SC] [expires: 2022-04-03]=20
FFF31E86FCEB5046E8B27D4AA18F778E19FC3248
uid [ultimate] ADAM M DOBRIN \
ssb rsa3072/04F98002A3DA53B2 2020-04-03 [E] [expires: 2022-04-03]

sec rsa4096/FB4ECE4A109229CF 2020-04-04 [SC]=20
4FAF0D3E208A1F4C980D0F66FB4ECE4A109229CF
uid [ultimate] Adam Marshall Dobrin \
ssb rsa4096/DD1F0C118C788B04 2020-04-04 [E]

pub rsa3072 2020-04-06 [=
SC] [expires: 2022-04-06]
F7E4 7CB1 2CA0 CD01 C5E1 CBFA 7EC8 D5A8 5A38 D63A
uid [ unknown] ADAM MARSHALL DOBRIN 

Because of "some issues" with what appears to be distinct
and unbridled privacy intrusion; please ensure that PGP
is understood to be "nothing more than not so much pretty
good" and this key also, almost required in order to
verify authentic identity--in the case of ... question.
<= /iframe>
=20 =20 =20 =20 =20 =20 =20 =20 =20
AddThis = Sharing
<= /div>